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This doctoral research investigates Franco Purini’s work ‘Una ipotesi di architettura’ (1966–1968), examining it as both a foundational architectural inquiry and a hypothesis on drawing. Through a detailed analysis of Purini’s research, the dissertation develops the concept of an “architecture of drawing”—a critical framework in which drawing is not merely a representational tool but a form of architectural thought and theoretical investigation. Central to this work is the assertion that...
